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A DIGIT. AN HOUR. A POSITION. A SAVIOUR. AN ASPIRATION. A CURRENCY. A BEGINNING. A MILESTONE. A BLESSING. A LUCKY CHARM. A MINUTE. A REMINDER. A CHOICE. A SECOND. A FIGURE. A DIRECTION. A UNION. A RANK. A GOAL. A DREAM. A NUMBER. Are you celebrating 52 Weeks, 52 Desi Emotions with The Indian Trumpet â all through 2018! Keep blowing the Trumpet! This & many more stories await in the pages!Â
One Rupee. I know what youâre thinking: I had the same thoughts as well. âYouâd need a LOT of those to buy anything of value. Just one will get you nothing and nowhere.â âDo they even make those any more?â âTheyâre nothing more than collectorâs items now.â There was even that song âAamdani athanni, kharcha rupaiyaâ, which implied that spending one whole rupee was definitely living beyond your means. Was it really that long ago? I couldnât immediately think of anything obtainable for a single rupee. Iâm well aware that in days gone by, a rupee was a big deal:…
Ek Anek Aur Ekta or One, Many and Unity, popularly known as Ek Chidiya, Anek Chidyan, was a traditional animated short film released by the Films Division of India (Government of India) in 1974. It was aired on the state-owned Doordarshan, became very popular among children, and won the National Film Award for Best Educational Film. It also received the award for Best Childrenâs Film in Japan. Considered one of the best examples of ANIMATED storytelling ever produced in India, itâs well remembered by the ’80s generation as a classic illustration of Anekta Mein Ekta.
âOh no, no, Dipankar,â said the Grand Dame of Culture, slowly shaking her ancient and benevolent head from side to side in pitying condescension as she held him with her glittering eye, âThatâs not it at all. Not âDualityâ: I could never have said âDualityâ, Dipankar, oh dear me, no. The intrinsic essence of our being here in India is a oneness, yes, a oneness of Being, an ecumenical assimilation of all that pours into this great subcontinent of ours.â She gestured around the drawing room tolerantly, maternally. âIt is the unity that governs our souls, here in our ancient…
If zero is the hero of numbers, letâs not forget life begins with one single cell! It dominates the scene unlike any other number. Whether it comes to job performance or lifeâs milestones or even TV channel ratings, being ânumber 1â can make or break any situation. We feel butterflies fluttering in our stomachs the first time we fall in love, feel amazing joy and pride when we get our first salary, our love knows no bounds for our firstborn child. Hereâs an ode to this one and only number – because we live only once!
Two decades ago, something unprecedented happened in the history of Indian television with the start of the mythological series Ramayana. Each Sunday morning roads were deserted as people sat alert in front of their televisions watching the epic life of Lord Rama. Legend has it that some of the more devout viewers even took off their slippers before watching! It was the ’80s and until the next century, no other TV show captured the Indian imagination to such an extent. Then one fateful day in 2000 the legendary baritone of Amitabh Bachchan boomed into our living rooms. Deviyon aur sajjanon…
One fine day, driving home after a rather awkward situation with my tight-fisted German boss, I began to dwell on what exactly we Indians mean when we use âekâ (one) in conversation. My boss had asked me to come into his office, prompting my instant response: âYes, Iâll be there in one minuteâ. After 10 minutes, as I chirpily walked into his office, he said, with a raised eyebrow: âWhich part of 1 minute is a quarter of an hour for you?â As he questioned me I realised what Iâd actually meant was âBoss, Iâll be in your office shortly,…
